That girl at twenty-
her black hair ripples
through the comb
in the pride of spring --
such beauty!
(sono ko hatachi kushini nagaruru kurokami no
ogori no haru no utsukushiki kana)
- Yosano Akiko, Midaregami: The Poetry of Yosano Akiko, 1952.
2005, the L'Oréal salon in Chennai. I was at the eye of a storm, all because Susan (one of the head stylists) and I had bonded instantly over the fact that I wanted my hair cut, as short as possible. Something with an edge, I said. Susan’s smile on hearing the word “edge” was the biggest I had ever received in a salon. She went to work with razors, clippers and two vats of colour, one copper, the other fire-engine red. Considering every other female there was getting a “trim” with the odd blonde highlight or two, Susan and I had unknowingly provided entertainment and conversational fodder for the next two and a half hours. From that day onwards, the fire-spikes got me more than just a little attention. A nun at my college (yes, it was a catholic institution) hinted that I might be setting a bad example, but found it hard to explain herself when I asked her why.
It confused the good people of the city. The look and my behavior didn’t fit into the virgin-whore dichotomy which was applied by locals to all female inhabitants of this South Indian urban village where gender is reduced to male and female, with every other identity broadly mocked, shunned or witch hunted, depending on what the mob had for breakfast. So though I never received comments fueled by either rejection or revulsion, I was broadly given to understand that I was an outsider. A strange anomaly that was ignored in the hope that it would disappear.
What’s a girl to do?
I always had short hair. My parents figured it was cheap and easy to manage. Growing up, this made me happy because I never had to deal with well-oiled hair or lice; infernal attributes of long-hairiness I observed my compatriots struggle with.
The happiness turned to angst soon enough. What my parents hadn’t told me was that there exists a direct relation between the length of a woman’s hair and her perceived attractiveness and femininity in the eyes of a majority of the human specie.
I first thought it was an Indian male thing. A thousand apologies, my countrymen. I have wronged you. You who are woefully unenlightened in terms of female sexuality, ye Freudian frou-frous! Scared of strong women due to your unaddressed mother issues, God how I love you all! Group hug.
However, time and travel has taught me otherwise. Men—and women—are biologically programmed to perceive hair length as being significantly correlated to female attractiveness (
Grammer et al., 2002)
According to the
Second Annual Sun/COMPAS Sex Survey (1999), the following attributes are what men seek in a potential mate:
* Average body type over 20 lbs above average
* Any kind of smile
* Brown hair over any other natural colour or dyed blonde
* Long or medium length hair over short
* The same height or slightly shorter but not taller
* The same education or more but not less
* The same income or more but not less
* A kindergarten teacher or perhaps a businesswoman but not a lawyer, and
* One who liked to wear jeans or perhaps fancy apparel, but not mini-skirts.
Sure, the sample's limited generalizability needs to be taken into account, and the culture, education and religion of the survey participants might have influenced their responses. Perhaps these answers only relate to the male readers of the Toronto Sun for the year 1999. But I would humbly proffer the opinion that demographic differences despite, optimal hair length is a pretty engendered idea in our collective awareness.
Women (and men) across cultures have written about the emotional connection they have with their protein filaments. Hiromi Tsuchiya Dollase, assistant professor of Japanese at Vassar College, has written on
female sexuality in the poetry of Yosano Akiko. According to her,
“Hair is another important symbol of femininity. Long and black hair has been admired and depicted in works of art for centuries… it is part of women’s identity. Long black hair symbolizes the nobility, gracefulness and sexuality of aristocrat women. The image of hair is a significant motif in the depiction of romantic situations in Japanese literature. Yosano Akiko, who grew up reading classic literature, had a romantic attachment to the traditional image of hair and a longing for the passionate and romantic love which is associated with beautiful long hair.Measures my hair a full five feetAnd washed and combed so soft and fairAs is my heart virginal and sweetI cherish with a tender care[trans. Honda Heihachiro](Kami goshaku tokinaba mizu ni yawarakakiOnnna gokorowa himete hanataji)The girl's soft, black and tender hair is cherished by the girl herself. Just like her cleanly washed hair, she is pure and innocent... In ancient court poetry, hair was often used to express the inner feelings of women. The movement of hair was used as a perfect means of expressing such feelings as anger, frustration, confusion, and jealousy which were caused by romantic relationships with men. Izumi Shikibu, a female poet from 11th century, presents a wonderfully emotional hair image:My black hair tangledAs my own tangled thoughts,I lie here alone,Dreaming of one who has gone,Who stroked my hair till it shone.(Kurokami no midaremo shirazu uchifuseba mazukakiyarishi hitozo koishiki)Black tangled hair implies the confusion and uneasy feeling caused by love relationships. Tangled hair also suggests erotic beauty and implies the intimacy of men and women in bed… The flood of emotion and overwhelming feelings of love are expressed through hair.”
Why did no one tell me this?
Oh, wait. Perhaps they did. Except their stories never included women with beautiful, long hair who did much more than tend gardens or their families, cast spells and then get kidnapped and rescued in equal amounts. Instead of embracing this idea of femininity, I decided to go another way. Would I have had the same personality and received the same attention, positive and negative, if my hair had been of a different length? I have no way of knowing this.
I do know that during my two year experiment with long hair, I received far more compliments and admiration from both sexes than ever before. Men I hadn’t spoken to in a while saw my picture and made amusing attempts to re-establish contact. Women began discussing how they ran their household and took care of their kids with me. Cosmetic counter girls stopped ignoring my presence. “Uncles” and “Aunties” began asking me about my future, if I had “found anyone” yet.
Maybe it just got to be a bit much. A drag act that didn't have a curtain call.
Reger, Myers & Einwohner, the authors of
Identity work in social movements, write about the song "I Am What I Am" from the musical,
The Bird Cage--
In drag shows, this song becomes a ritual not only because of the frequency of its inclusion but also because the manner in which it is performed is highly predictable. During each performance of the song, Margo removes her wig at the end of the number, breaking the illusion of femininity by exposing her underlying short and thinning hair... Removing the wig at the end of this song is a common technique institutionalized by drag performers across the country... Describing her feelings the first time she saw a drag queen perform "I Am What I Am", a focus group participant stated: "... I always get choked up now when I hear that song because there was a thing of acceptance..."
Hmm.
The end of an act, then.
I do love the rituals of having long hair, though. The oiling, shampooing, conditioning, the rinse and repeat. The towel turban I could wear high on my head. Flicking it over my shoulder just when I knew that adorable lad who got off at Kendall Square was looking. Hell, I’ll say it-- I loved the admiration. Years of keeping the hair treatment-free had resulted in the long black silk that is the gift of my mother's genetics.
But it got hard to deal with, on windy days and late nights back on a long train ride. The hair was tied up when I had to work. The more I had to work, the more annoying the mop got.
Whimsical Assumption #1: Women in positions of power or who commute at a high rate have shorter, more manageable, practical do’s.
Corollary to Whimsical Assumption # 1: Women with shorter, more manageable, practical do’s have to work harder to allay perceptions of them being dominating, mean-spirited, hard, butch, gay, a misandrist or given to hard-line radical feminism.
There’s a great article on Divine Caroline regarding
Michelle Obama and her hairstyle choices:
In her own role as potential First Lady, Michelle Obama’s hair is politically correct. America expects the wife of Barack Obama, the man who wants to be president, to project an image of sophistication and near perfection. That image includes having hair that doesn’t make waves.The article goes on to illustrate the troubled relationship that hair and politics have in the U.S. Throw in racial stereotypes and it turns into a Molotov cocktail—
Mainstream America considers styles that reflect the European aesthetic more acceptable and less likely to offend. Hairstyles with African roots don’t get the same respect. To say someone has a nappy head is considered an insult, and the word “nappy,” which merely describes the kinky texture of hair, is practically considered a profanity. In polite circles, the word is euphemistically referred to as “natural.”Natural hair wearers have seen their politics; patriotism and even their hygiene come under attack. Their Afros, braids, locks and twists have been considered unprofessional, and many who have worn the styles have been demoted or have lost their jobs. Wearers of natural hairstyles also have not escaped being labeled subversive or being perceived as social misfits.Jessica Lyons over at AlterNet has an article on why female hairstyles in politics benefit from being unchanging. Read it
here.
According to
Connie Koppelman, a professor of the Women's Studies Program at SUNY Stony Brook,
Hairstyles can signify conformity, for example, to army regulations, monastic celibacy, or any group-determined aesthetic. Hairstyles can also signify rebellion. Today many women choose to shave their heads as a sign of female bonding and sometimes as a form of protest against the beauty myth. Whether they go bald for personal or political reasons, bald-headed women are often perceived as threatening, perhaps because of the negative connotations associated with baldness as a sign of age, punishment, illness, or rebellion... hair ’s sexual attraction is controlled by society-or we should say patriarchy--as it has been for thousands of years. According to many polls, hair remains one of the six most sensuous parts of the body.This is all very interesting, of course, but where does that leave all of us, the ones who aren’t running for government any time soon, who aren't starting a revolution, the ones who left the confines of Indian tradition seven seas behind, the ones who cut it on a whim, cut it because shampoo costs too damn much, cut it or shaved it clean because it was less painful than watching it fall off in clumps or two strands at a time?
What happens if you live in a country like India, where it doesn’t matter how liberal, educated or well-traveled you and your parents are, where everything about your appearance is judged as you grow up, and then judged twice as much once you approach that brutal phase referred to in the vernacular as “the marriageable age”?
Walking back from my hair appointment, my neck feeling colder than it had in a long while, I considered what I had given up, if I had given up anything at all. The stylist kept pausing to ask “are you okay?” Apparently she is used to women bursting into tears mid-snip. I thought back to that long ago evening with Susan in Chennai and laughed. I remembered how I tossed my head, a rockstar now, getting high on every look of shock, disgust and admiration. I remember wearing a sari that matched my highlights for a college ceremony.
I remember spiking my hair carefully, wearing a sardonic look with humility and grace, and feeling incredibly left out of the female collective of my colleagues at the end of that day. Still alone, that strange anomaly.
Walking through the front door, my other half greeted me with a smile and the following words—“you look just like you did the first time I met you.”
And just like that, my neck was not cold anymore.
Do what you have to do, ladies and gentlemen. Wear your hair in a way that fills you with pride, comfort and sexiness at anytime of the day or night. Cut it to make a statement, cut it to because you are tired, cut it to donate to
Locks of Love. Fight that niggling urge to explain yourself.
And if you lose, like I did, go blog, and send me the link, willya?
re; see geus- in Indo-European roots) [1]
